Dana Depew

Statement - Sculpture

Inspired by my childhood fascination with lights, I began disassembling and reassembling antique lamps and chandeliers. I was curious about the structure and assemblage, but even more so, mesmerized by the way various colors, shades and brightness of the bulbs created various sensory experiences for the viewer.

This experimentation led to smaller-scale sculptural work with lights, and that process evolved into my recent large-scale illuminated public art pieces.

In an effort to make such large-scale lighting economic, green, and practical, I began using recycled materials. Part of the thrill was to take something unwanted and make it new and unique. Fiberglass water containment tanks are reclaimed from a local factory who discards the enormous tanks, and these are used as the base foundation for the works. The capsular, hollow forms are hardy, yet lightweight- essential features for both outdoor durability and installation. I paint the bases with vibrant industrial hues that command attention. Recycled light fixtures are installed using colored, energy-efficient, compact fluorescent bulbs, which complete the hypnotic, trance-like affect on these large sculptures.

Like the actual materials, the experience is both nostalgic, yet, new. Retro, still, modern.

Although highly visual in nature, the scale and texture of these works explore other sensory perceptions. The sculptures explore personal themes relating to self-exploration, particularly, my own questions regarding breaking down, being re-built, and how many times ""rebirth"" can occur. Is it then new or different? The usage of light reflects the idea that these discarded and unwanted objects can transcend the boundaries of ""trash"" into something to be desired. What was once broken and empty is now full of light and has been carefully nursed back to health and utilization.

Statement ? Painting

In my most recent painting practice, I impose my being on the pre-constructed world. I attempt to resurrect the old and rejuvenate the mundane through the use of vintage chenille bedspreads, crocheted afghans, and other fabrics. I initially wipe these materials clean of their past colors and connotations by saturating the fabrics in latex house paint. This leaves a rich yet colorless textured landscape in which I reinvent into a series of contemporary and active works. Through the use of vibrant colors and a variety of oil and acrylic paints, I create an exciting bridge between a forgotten textile and painting.

i like junk